Easy Listening for the Post-Eclipse Crowds

So hey, it’s been a second. Lots brewing and time at a premium, which is generally becoming the mantra around these parts. I think I may need a vacation, having spent a good part of the sumer on business jaunts across the Northeast. Still in Baltimore at the moment, pending possible relocation and attempting to live out multiple parallel lives simultaneously until one becomes reality. In the meantime, may the current reality prevail. Speaking of, for those that tune in regularly, you’ll notice that the Instagram-feed is back on the sidebar – not to say that we’re not still mildly paranoid about trolls and other “patriots” of the deep web, but a.) official permanent residency has been granted and b.) while the potential for some serious insensitivity from the swamp is still an ever-present factor, signs are pointing to an administration that’s too disorganized to actually directly impact or daily existence. Life, as they say, goes on. Now please permit me to take a second to continue knocking on this here block of wood.

But enough about me. There was a solar event yesterday – and given the rules of solar events, here’s a few new releases from the net label. Now, in theory, these should have been released yesterday, but I was actually a.) swamped b.) kind of sick and c.) working until 9. So here I am, coffee at my side at the kitchen table, staring down some HTML, fighting the good fight.

Pines_300

First up – a classic from yours truly, originally released circa 2007 on the Dolor del Estamago label. Entitled We walked all night under the cover of darkness… in the morning we sought shelter amongst the pines in the valleyit was one of my first releases that I didn’t put out myself, and in turn introduced my work to a large swath of the bay area scene. Consisting of processed flute and field recordings (which was the case for a lot of my stuff back then), it was also one of my first “dream” mixes – meaning it’s meant to be listened to while sleeping. More on that later when I do something crazy like release another vslkast – I mean, wow, it’s been 10 years – I suppose a new mix may be in order.

decay

Next up: Songs of the Rain and Urban Decay. Also by me, but recorded a few months ago, as opposed to over a decade ago. Just some songs recorded in the living room in Charm City during an exceptionally wet spring and summer.

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On deck after that: Annotated Songs for Amplified WaterAlso by me. I know, repetitive, but also a good opportunity to clear the backlog of recordings. Considering all the things on my to-do list, sending demos out would be just another thing to dedicate to – maybe one day, but for those attempting to cultivate a simpler existence, one thing at a time. Sonically, this is about 12 years of orphaned mixes and experiments finally paired together into something slightly more melodic than my usual jams.

Gloss

Finally, Gloss, by Michigan/Colorado-based sound artist and professor Lyn Goeringer. I met Lyn in Ohio back in March during John Talbert’s retirement festival as she was performing on an amplified goat skull designed to collect wishes and dreams. All said, it was some kind of awesome. As is this collection of jams, made almost entirely with handmade square-wave oscillators and crackle boxes. It’s raw. It’s primal. And once again, some kind of awesome. Happy to share it with y’all.

 

So that’s that. Enjoy the tunes, stash away your glasses and keep fighting the good fight – will catch you on the flip side.

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~ by vauxflores on August 22, 2017.