Water is the blood of snow

So hey, we’re officially one and a half months snow-free! Gotta admit, while I’m typically accustomed to winter, this one was rough. It wasn’t the cold or the snow that did it, though – it was the length. There’s something about snow in late-April that simply does something to your programming. Actually, make that all biological programming. Maybe Baltimore just was light on the nature, but I don’t think I’ve ever seen as much pollen as I’ve seen this spring in Ithaca. Seriously – we’re talking tumbleweed-sized balls of oak pollen, white-outs of dandelions, yellow rings around every puddle and some sort of strange white plant-fluff down by the lake. I’m usually not allergic, but the past few weeks have been a non-stop flow of sniffles and congestion as my poor nose goes into overtime just keeping the stuff out of my lungs.

And then there’s the rain. Days are usually nice. Then it rains and suddenly the temperatures are in the 40’s again. I keep hearing stories from friends and co-workers about snow in July and August up here and at this point, I’m beginning to believe them. Not to imply that I didn’t, but after living in a top-floor brick walkup where try as it might, the air conditioning was never going to stave off the congestion from the roof and brick exterior in Baltimore, I’m happy for the weather – the rain, the cold and everything in between. Not to talk exclusively about the weather – lot’s happening, hence the radio silence. More on that all later – first up, hey, it’s summer. That means new releases!

First up: The Wind Harp Ensemble, by The Norman Conquest. It involves a wind harp and an ensemble. Not to mention a bunch of synths and voices and Norman’s trademark production. Grip it on the pic:

WindHarp_350

Next up is Dirge for Eight and Twenty (The Teeth of Baltimore) by vsls, which I thought was my moniker for when I use laptop stuff, but this is definitely all analog. Not to say that there has to be a logic behind any of this, but I think the logic was that the first “dirge” EP was credited as vsls, so why not continue for consistency? Either way, here it is.

TOB_350

Finally, we’ve got Tim Walters’ Austerity Measures, which combines Tim’s formidable SuperCollider prowess with some analog nastiness courtesy of Chimera Electronics and VauxFlores. It’s good. Listen to it right now.

AusM_350

So that’s what’s up. Or at least in the immediate vicinity. More on peeps being published, a string of shows (mostly unrecorded), awards won and upcoming art things when I have a second.

Until next time,

t.

 

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~ by vauxflores on June 25, 2018.